REVIEW: The Boys From Brazil

This is probably the most random book discovery I’ve ever made. I’m a big fan of the adult cartoonArcher and when first watching the show back when it started, I was always curious about the jokes being made towards the scientist character, Kreiger, about his being “a boy from Brazil” and the other strange Nazi-related digs directed at him. Back then when I googled what they meant, I learned that while most of the jokes are related to the monstrosities committed by Dr. Josef Mengele – the Nazi known as The Angel of Death – the “boy from Brazil” references are from this book written in the 70s by author Ira Levin (best known to the world as the author being Rosemary’s Baby that was later adapted into an incredibly success horror film directed by Roman Polanski and starring Mia Farrow).

It’s been years since I’ve thought of the existence of this book but while re-watchingArcher on Netflix, I figured maybe it was time to change it up a little and give The Boys from Brazil a read.

Levin’s book is set in the 70s as the trials of Nazi war criminals are mostly coming to a close in Germany and Austria. Meanwhile in Brazil, Mengele and several of his SS collegues have formed an Organization to carry out a secret plan that will re-introduce the Reich: kill 94 seemingly random men across the globe that are in civil servant professions and are approximately 65-years-old. When “Nazi hunter” Yakov Liebermann gets wind of what is happening, he is determined to learn what Mengele is up to, no matter what.

Despite the content, this is a fairly easy book to get through and I enjoyed the sci-fi twist in the events that explain who “the boys from Brazil” are. I was invested in the story from the start and the way Levin combines fiction with reality was very well done. The only thing that got to me was his depiction of Mengele. The man was made of cruelty and evil, one of the most terrifying and dangerous people to come out of WWII, and yet there were moments of him talking to portraits or photos of Hitler (and at one point, the sky) in a way that honestly felt like a child confessing their undying love to a poster of their favourite celebrity. It made me laugh and roll my eyes every time it happened because it just felt like such a caricature. That aside though, I did appreciate that the content wasn’t too heavy in regards to the things Mengele actually did, as even in 2021, his “research” gives me the chills. 

If you’re a fan of spy-like thrillers and are looking for a WWII twist, I definitely recommend this book. I’ve yet to see the film adaptation, but I have also heard that is worth watching.

The only other thing I will say – as it is hard not to spoil what happens – is that I’m sure I’m not alone in saying that I wish this book was how Mengele actually died. His real-life drowning was too good for him and he should have been taken out like he was in this book.

REVIEW: Vampire Hunter D #1

The last few days I had a reader’s craving for vampires but no love story. I was also hoping for something with a darker aesthetic while still being light. Despite how overly specific that want is, I was able to check all of the boxes with the Japanese classic, Vampire Hunter D by Kikuchi Hideyuki with illustrations by Final Fantasy‘s own, Amano Yoshitaka.

Originally published in the 80s, Vampire Hunter D is a sci-fi western featuring the ever classic story of humanity against the creatures of the night. Ten thousand years have passed since the human race destroyed itself in a nuclear arms race and regressed to Frontier times. But vampires and artificially created other monsters are trying to regain control so it is up to the various classifications of Hunters to wipe them out by the request of their employeers.

This first book follows the plight of Doris Lang and her brother, Dan, who hire the mysterious D to act as protector after Doris is attacked by the local Count Lee. But there’s more to the job than a simple vampire slaying as Doris is also plagued by the ruffians of her town and D has unknowingly attracted some negative attention from a gang of especially skills bandits. With a lot of strangeness on the line, both D and Doris may be in over their heads. Or are they?

I loved the ol’ fashion Western vibe of this first book and the way it combines the classic aesthetic of the traditional vampire story just made me so happy. The story is action packed but still light enough to get through without having to think too hard about what’s going on. Doris was a sweetheart and the mystery surrounding D is too intriguing to stop here. The translation was so incredibly smooth, I would have thought it was originally written in English so a major shout out to translator Kevin Leahy. I loved the combination of traditional vampire lore with new additions due to the crazy world building. The idea that the vampires are scientific geniuses who can create their own servants through genetic engineering as well as robotics, was super cool to me and I look forward to hearing more about that side of the story as the series continues.

Needless to say, it was just what I wanted right now and I’m so happy to have found something that fit my incredibly niche reading wants.

ARC REVIEW: The Album of Dr. Moreau

Thank you to Tordotcom and NetGalley for providing me with a copy of the eARC

This novella was amazing. I 100% requested it because of the amazing, Warhol-style pop-art cover, but wow this book is just as wonderful inside as it is on the outside.

A douche of a music producer is dead, and the suspects are all the members of the band he managed. But this isn’t a regular boy band. Each other members is unique in an entirely different way… they’re all humanoid animals. Bobby the ocelot, Matt the megabat, Tim the pangolin, Devin the bonobo, and Tusk the elephant all make up the hit boyband known as the WyldBoyZ and now everything is at risk with Dr. M’s death. Not only that, but the investigating detective, Luce Delgado, only has 24 hours to figure it all out before the feds get involved and potentially cause even more trouble.

This novella is a fast paced, locked-room murder mystery full of twists and turns that kept me guess right up until the big reveal. Every major player is incredible sweet and fully developed, drawing you to their side with ease. Not to mention the anthro aspect of each of the boys is such a neat idea and done so wonderfully. This isn’t a “furry story”, but the furry part of my brain was on cloud nine reading about these characters. I wish there was more because I loved it so much, but it’s the perfect length for what the story was and I’ll definitely be purchasing a physical copy come May because wow. I loved this so much.

ARC REVIEW: The Membranes

Thank you to NetGalley and Columbia University Press for providing me with a copy of the eARC

I’ve always had a love of Asian novels, but the translated works I’ve read over the years have been primarily (if not entirely) originally written in Japanese. I’ve wanted to expand my reading consumption to other Asian countries, and when I stumbled upon this novella on NetGalley, I figured, “What the hell.”

Note: trigger warnings for non-consensual gender reassignment and child molestation

Originally published in China back in 1995, Chi Ta-Wei’s novella The Membranes is a complicated story about what it is to be alive, to be human, and to what the freedom to live as one wants truly means. The dystopian world created almost 30 years ago touches on a lot of what is happening today and translator Ari Larissa Heinrich did an incredible job bringing this complex story to English readers.

I know very little about what the queer cultures (or lack there of in some cases) are like in the majority of Asian countries, but I know that it tends to be frowned upon at the very least and criminalised at the most. The fact that this was published in 1995 was so mind blowing to me given what little I’ve heard about censorship rules. Books have been criminalised and banned for far less than the blatantly queer content that fills the pages of this novella. Topics such as lesbian/wlw relationships and gender reassignment surprised me but it was fascinating to read them knowing it came from a Taiwanese writer.

I want to discuss the gender reassignment aspect of this novella, but as this English translation isn’t out until June, I plan on writing a deeper blog post about it closer to the official release.

While slightly triggering to me as a trans person, I really enjoyed this book and look forward to picking up a finished copy upon release.

REVIEW: Dune Messiah

After closing 2020 by re-reading Dune for the second time in the year, I opened 2021 by jumping right into Dune Messiah.

Set 12 years after the war with the Harkonenns, Paul as very much unwillingly followed the path of the Jihad he feared and is struggling with the aftermath as well as the consequences. This second book is heavily about the fate of the those who are stuck on the path of a future they don’t want and the pain that comes with power. It’s also about humanity; losing it, struggling with it, finding it again. It’s about sacrifices and love. It is not a happy book.

At the same time it makes a lot of really strong point about blindly following along with fate and the important of knowledge.

You can’t stop a mental epidemic. It leaps from person to person across parsecs. IT’s overwhelmingly contagious. It strikes at the unprotecte sie, in the place where we lodge the fragments of other such plagues. […] The thing has roots in chaos.

Syctale the Face Dancer in Dune Messiah

In this book having knowledge is useless unless the one who possesses it knows what to do with the information. And even then, will doing anything change the outcome? Does knowing the future mean it can be changed or will the attempts to change it only lead to greater suffering? As Paul struggles with the losses he has faced and the ones yet to come, the reader is forced into his position. The ending of the book – which I will not give away – is an ending that is easily predicted but as unchangeable to the reader as it is to Paul. It needs to end the way that it does, but that doesn’t make it any easier to swallow.

This book made me sad. It made me angry. It thrust forward a lot of very complicated thoughts and feelings and I appreciate a book written in the 60s still being capable of eliciting such strong emotions. I also enjoyed seeing possible inspiration points used by more recent series such as Game of Thrones, Star Wars, and a handful of others.

With four books left in the series I look forward to what is to come for everyone involved, especially Alia and the children.

REVIEW: The First Sister

Thank you to Simon & Schuster as well as NetGalley for providing me with an eARC of this book.


When I first saw the cover for Linden A Lewis’s debut novel, The First Sister, I knew I wanted to get my hands on it. The second I stated it, I fell in love with each of the characters immediately and didn’t want to put it down.

The story follows three POVs between The First Sister – a priestess aboard a starship headed to the moon Mars where the Gean people reside, Lito sol Lucius – a soldier who fought with the Icarii during the Battle of Ceres, and Hiro val Akira – Lito’s battle partner who has gone rogue and disappeared. Each of the POVs is written is first person which confused me slightly with the first few chapters, but I quickly got the hang of it and each character has such a distinct way of talking, it is easy to remember who is talking.

The comp titles for this book were Red Rising (by Pierce Brown) and Handmaid’s Tale(by Margaret Attwood), but I honestly felt it was closer to Red Rising meets Dune (by Frank Herbert) with a hint of Star Trek in there. The Sisterhood, the main religion of the Geans that also happens to run their government, strongly made me think of a more dictatorial version of the Bene Gesserit from Dune in the way that the training is strict and aggressive and the rules must be followed to a T or else there are drastic consequences. The addition of these priestesses acting as consorts or concubines in a sense just added to that and made me think of Jessica from Dune. When it came to the levels of society within the Icarii race and the advanced technologies they have, that’s really where theRed Rising aspect fits so well. The rankings of society and the commentary on how poverty works within this alternate future really reflected our current society where the poor “don’t deserve” basic things like fresh food or proper living conditions, or even medicine. The two clashing societies were also fascinating and the natural vs altered debate was a curious one especially given that the genetically altered (read as: perfected) Icarii honestly have a better way of life in a lot of ways compared to the Geans.

But what hit hardest was the characters.

The First Sister was thrust into the Sisterhood because she was housed in a Sisterhood funded orphanage. She was stripped of her voice and her dreams and her freedom to become a part of a religion she didn’t entirely understand. Lito risked it all to rise up from the lower levels and make it into the military where he met Hiro, only to be punished for the military’s failure in battle. Hiro… I have a lot of thoughts about Hiro.

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Hiro is a non-binary character. A person who has faced ridicule and abuse at the hands of his father as well as classmates and superiors. They lost their mother who couldn’t bare it all. They were shown the horrors of the world and couldn’t stand to turn away from them again. After the failure of the Battle of Ceres (set before the events of the book), Hiro was terribly wounded and instead of being allowed to rest, they were drugged and mutilated, shaped into the female warrior who had nearly killed Hiro and Lito, both. Lito was able to make Hiro feel welcomed, feel loved and cared for, and began to love themselves as a result of that, only to be forced into a gendered role by the people who dislike and/or disprove of them.

Reading these moments, as a trans person, hit so hard. It is so hard to explain to cisgendered people what it is like to be perceived as someone you are not, to be seen as something you are not. Hiro being forced into a female body for the sake of espionage and being unable to look at themselves or feel at all like themselves is something I’ve felt personally (well, maybe not the espionage part) and it is the most painful thing in the world. For these reasons, Hiro is a character I immediately grew attached to and I wish I had a friendship, a bond, with some like Lito the same way he has bonded with Hiro.

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Another thing with this book that I really appreciated was the depiction of Japanese. I am white and English is the only language I’m fluent in. However, I can understand several languages including Japanese. This was the first time I’ve read a book that didn’t romanize the Japanese dialogue and instead included hiragana, katakana, and kanji to spell out the words. The same was done for the small instances of Chinese that were in the book. I’ve read a lot of books (and even more anime fanfiction) that have romanized Japanese in them and there was always something that felt off to me about it, so seeing it this way in a sense felt more authentic and respectful to the language.

I would honestly be really curious to hear what other people think in regard to this formatting of language in books. I know that romanizing it makes in “more accessible” to those who don’t speak the language but I think it’s little things like this that can prompt avid readers to learn a few words here and there in other languages. It’s not hard to look up a character chart or to put a sentence through google translate, but even literary fiction like Call Me By Your Name by Andre Aciman has large sections in Italian or Latin that aren’t translated. Even Lord of the Rings or Star Wars have lengthy moments of made up languages that aren’t translated but we all get the gist. If we’ve reached a point in the world where you take university level classes in Klingon, we can all take a moment to learn a few phrases in Japanese using the proper character alphabet.

But back to the book.

As is usual with science fiction, there were lulls in this, and I did find myself wondering where the story could go in order to carry out a full trilogy, but the last handful of chapters had me majorly freaking out. With several plot twists happening all at once, It really is a thrill ride and Ineed more of it. The chess pieces are set, and a few have fallen, but the real game is only just beginning.

Facing the Mind Killer: a review of DUNE

As I previously wrote, this month I decided to tackle a book that I’ve been afraid of reading for as long as I can remember, Frank Herbert’s DUNE.

It took me a week to get through it and I reveled in every page. It’s taken me longer to get to this review because I wasn’t sure how to go about it. There is so much to this book that I haven’t been able to find in any other book I’ve read or loved. It has set a new standard for epic fiction and I don’t think I’ll be able to find in anything else what I found in DUNE.

The story is Paul’s, though it strongly features the goings on that surround him and dictate his every action. The long and short of it is that the Great Houses are warring over the spice planet known as Arrakis. Spice is highly addictive and mind-altering natural drug that can only be found on this one planet, making it worth more than worth it’s weight in profits. Along with this political turmoil, there is religious turmoil as a group of women known as the Bene Gesserit see a male of legend capable of the “witchery” that they are. But in their search, the Freeman of Arrakis have their own legend of this same person. Paul is believed to be this man of legend by more than one group of people and he needs to fight not only in this war for the planet, but the war inside of him as he discovers what his true destiny is… or if he even wants it.

The way the book is written, third person narrative, we get to see inside of everyone’s head. We know what Paul is thinking at the exact same time we learn what his mother is thinking in the same moment. For too long the “single character” POV, as made popular by George R.R. Martin in the A Song of Ice and Fire series, has been the way of writing genre fiction and I’m going to be honest: I hate it. It adds nothing to the stories and creates moments of boredom if there’s an unlikeable character. Herbert’s way of putting all of the cards on the table makes the chess match of the politics game within the book not only more manageable, but creates some incredible tension. We, as the readers, know who is double crossing who, but the characters themselves do not. The screaming match I had with this book over Duke Leto is laughable because of how invested this way of story telling got me. 

The ideas behind tackling the mind and conquering emotions through strict mental training were fascinating and I really got a lot of insight into myself because of it. Fear is the mind killer, as Jessica says. 

As thrilled as I am at how much I loved this story, I will be honest and say that my fears are now directed at the new movie. I’ll keep my opinions to myself on that matter until we have a trailer, so stay tuned, but I do also plan on reading the rest of the series within the coming months, so stay tuned.

Why I’m Afraid of DUNE

One of the greatest science fiction series of all times is Frank Herbert’s, Dune. Six books in the saga and they’re still timeless through the intense political and religious commentary as well as the unforgettable world building.

Everything about Dune has my name written all over it.

So why am I afraid of it?

As a kid, there was a “rule” in my house, and that rule was “There is no such thing as a Dune movie”. It was a running joke as I got older that included an irrational dislike of David Lynch (who I’m still not a fan of) and legitimately telling people I didn’t believe them when they mentioned the 1984 adaptation that featured Sting (yes, the singer) in one of the main roles. That alone made it pretty easy to say I didn’t believe people.

What did exist were the first six books by Frank Herbert and the 2000 miniseries (that starred Alec Newman as Paul), nothing more. I have the vaguest of memories of watching the miniseries and having a huge crush on Paul, but I’ve never read the books, and if you asked me the plot I couldn’t tell you.

To this day I can give you three facts about the series. 1) Paul is the main character, 2) There are giant, phallic-looking sandworms that eat people, and 3) there’s something going on with spice.

So again, you’re probably still wondering why I’m afraid of reading this series.

If I didn’t make it clear enough, this series has been a huge part of my childhood even if I know little about it. My mom is a huge Dune fan and I admire the original books so much and how they shaped my mom’s love of science-fiction, therefore shaping my love of science-fiction. Because of all of that, I’ve always been afraid I’ll miss something, that the allegories and metaphors will go over my head, or – even worse – that I won’t like it.

Is all of this completely silly? Absolutely. But this is the struggle of an avid reader with high expectations and crippling anxiety.

Either way I’m going in. Stay tuned to more thoughts.

REVIEW: The Memory Police

Completely out of character for me, I read yet another dystopian novel this month and while I enjoyed it enough, it was definitely an unsettling story.

Ogawa Yoko’s latest novel, The Memory Police, is about a small, unnamed island that is controlled by a strange regime from nowhere called the Memory Police. The police control what is and isn’t allowed the exist on the island, meaning when something has been “disappeared” not only does the thing itself vanish from the island but all memories and emotional attaches to said thing vanish too. Anyone who is capable of remembering what has vanished is taken away by the police, and as more and more things begin to disappear, the nameless narrator struggles with a terrifying thought: what if things never stop disappearing?

This novel takes it’s time, the slow and easy pace really making you feel like things are okay. It is very much a false sense of security that shows how oppressive and yet normalized high-surveillance states are – everyone on the island is nervous around the Memory Police, but everyone also has a firm “I’m not doing anything wrong, so there is nothing to worry about” mentality. The concept of things just vanishing is also terrifying. It isn’t just little things, but it includes food and animals as well. As the story progresses and the stakes rise while our narrator is hiding her friend, R, the horrific concept really gets dark: what if words disappear? The censorship in media that’s heavily implied through that idea is horrifying and I love how intense the metaphor is.

Much like some of my favourite Japanese horror films, this book is quiet until the last few chapters when everything is happening to an overwhelming degree. It’s an ending that can’t be described without huge spoilers, but it gets really twisted really quickly. I got very uncomfortable and finishing it was a struggle but I do plan on re-reading it when the world isn’t entirely on fire. Do I recommend reading this book? Absolutely. But maybe wait a few months.

MANGA MONDAY: The Promised Neverland #1

Thank you to NetGalley and VIZ Media for providing me with a review copy.


The Promised Neverland is one of those series that looks super cute but you can just tell that it is going to get really messed up, really quickly. I’ve got to say, I was not wrong with my prediction of this one.

The story mainly follows Emma and her friends, Norman and Ray, at their picture perfect little foster home where they and about thirty other children are being taken care of by a woman named Isabelle (but they all call her mom). The children do daily tests of intelligence and treat one another like they’re all family, and every two months one of the children is lucky enough to be adopted and gets to leave the house by way of the gate that the children are forbidden from getting close to. The only other rule is that they aren’t to cross the fence line in the forest that surrounds them. When one of the children being adopted, forgets her favourite plush rabbit, Emma and Norman learn the dark secret being kept from them…

While this first volume didn’t go too deeply into the horror that I’m sure is to come the further I read into the series, it definitely did a good job at setting up the tone of what’s to come next. I loved the heart in the story, though, and the way it captured the innocence and love shared between children while also keeping the advanced intelligence of Emma, Norman, and Ray still within believable range. The art work is very stylistic and cute, with all of the children having the most squishable little baby faces.

With the way this volume ended, I’m intrigued enough to keep going and giving a better judgement of the series off of subsequent volumes. But over all I thought this was a really great way to start a series like this, especially with the artwork being so cute only to get all murder-y. A solid four out of five.